In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material). In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). 2.3.3.10 For Double Bass and Piano (Zehar).2.3.3.6 For Tenor Recorder and Harpsichord (Depolo).2.3.3.4 For Flute, Cello and Double Bass (Vianini).2.3.3.3 For Violin, 2 Violas and Cello (RSB).2.3.3.2 For 2 Violins, Viola and Cello (Xrchz).2.3.1.6 For Violin and Piano (Vilaprinyó).2.3.1.4 For Mandolin and Mandolin Ensemble (Machado).
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